Wednesday, December 12, 2012

Le Buffon Choisi

A humorous children's zoology book, loosely modelled
after the 18th century scientific works of Buffon,
one of the leading figures of the French Enlightenment


Le Buffon Choisi (cover)
Le Buffon Choisi by Benjamin Rabier
~The Buffon Selection
book cover, 1924



Benjamin Rabier vignette 1924



Le Cygne - Le Buffon Choisi
Le Cygne
(The Swan)



Benjamin Rabier vignette



Pachyderms (L'Elephant) - Le Buffon Choisi
Pachyderms (L'Eléphant)



Benjamin Rabier cartoon animal vignette



Le Coq - cartoon lithograph
Le Coq



Benjamin Rabier book illustration vignette



french anthropomorphic cartoon lithograph
Le Cheval
(the horse)



extra j



cartoon lithograph of pelican in children's book 1920s
Le Pélican



benjamin rabier chapter vignette



coloured illustration of tiger
Le Tigre



lithographed cartoon miniature


book illustration in colour by Benjamin Rabier
L'Homme - sa supériorité sur les Animaux

*Man's superiority over the animals* -- apart from being the illustration title, this line is also the heading in the book's introduction. It's meant to be a reflection of the serious work that went into the enormous 40+ volume series (Buffon's 'Natural History'), but it is also a tongue-in-cheek jab at the impossibility of man ever really dominating the animal world, and particularly so in the case of domestic animals. They have minds of their own!



Rabier book illustration



colour lithograph of rhino by B Rabier 1920s
Le Rhinocéros



Benjamin Rabier vignette book illustration



Benjamin Rabier (1864-1939) was a self-taught artist who grew up in Paris. His most famous comic design may well be the laughing cow figure - 'La Vache qui Rit' -the product mark for a brand of processed cheese.

Rabier was a prolific illustrator and his work appeared in hundreds of books, as well as in all the contemporary and humorous magazines and newspapers in France. He also produced art works for advertising, editorial cartoons, groundbreaking comic forms and, if that wasn't enough talent on show, he managed to write at least one stage-play.

Around 1910, Rabier had begun to create animal illustrations for a whole series of 30+ children's illustrated periodicals, each based on single animal as inspired by (Georges Louis Leclerc, comte de) Buffon's great scientific encyclopædia. It seems the original intention was to introduce Buffon's work to a young audience, but over the next decade Rabier developed a softer and more humorous rendering of the original scientific writing and illustrations.

Rabier gave his animals slight human facial qualities (anthropomorphism)^ and the accompanying text moved from the practical and informative to a more traditional children's book story-telling style. The Buffon books he published in the 1920s gravitated somewhere between caricature and realism and were definitely intended more as entertainment rather than as educational works. Rabier nevertheless continued to cite Buffon as the author of the words.

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