Saturday, February 9, 2013

Fables de Florian

1930s book illustrations by Benjamin Rabier



title page / frontispiece to Rabier's children's fable book : happy animals image + title text



monochromatic table of contents to kid's book with anthropomorphic cartoon animals around the border



bordered cartouche of cartoon smiling animals around donkey



monkeys + peacock illustrated as background to a children's book poem about them



various comic-like animal caricatures interspersed with a poem



illustrated lion, tiger + bear vignettes adjacent to verse



monotone kid's book poem with comicesque prints of crocodiles and fish around the margins



caricature scenes of farm animals with human expression next to verse



poem and illustrated scenes of kangaroo rat and mother with child



monochrome illustration vignettes of cats surrounding kid's book poem



cartoon scenes of fox and henhouse + verse



monochromatic endpapers embellished with all different types of animals with anthropomorphic human-like facial expressions



butterfly + insect related cartoon vignettes alongside a children's book page of verse



B&W cartoon print in kid's book of various scenes with child and dog next to a poem



ducks, fish + fishing in cartoon scenes next to poetic verse



illustrated children's book cover with happy animals and a child around a brook


The (translated) list of anthropomorphic fables in this Benjamin Rabier-illustrated version of Florian's original 18th century children's tales:
The cat and the mirror - Beef horse and donkey - Carp and carpillons - The cowboy and the gamekeeper - The Cat and the bezel - The blind and the lame - Mother the child and opossums - The Mole and rabbits - the sheep and the dog - The Cricket - The monkey magic lantern shows - The brouvreuil and raven - The young and the old hen fox - The child and the mirror - Two cats - horse and foal - The hedgehog and rabbit - The Phoenix - The cat and the sparrow - The linnet - The fox preaches - monkeys and leopard - Wild boar and nightingales - The rhinoceros and camel - The squirrel, the dog and the fox - Hare, her friends and two deer - Peacock, both goslings and diving - the monkey, the monkey and nuts - fox disguised - The owl, cat, rat and goose - The parrot confident - The snake and leech - The Parrot - The cats and rats - both farmers and the cloud - Leopard and squirrel - The lion and leopard - The dog - The donkey and the flute - The rabbit and Teal - The crocodile and sturgeon - The wasp bee - The warbler and nightingale.

Jean-Pierre Claris de Florian (1755-1794) was a French poet, romance and comedy writer, fabulist and pastoral novelist. He was elected to the Académie Française in 1788. Florian is best remembered for his children's fable verses, drawing from both traditional sources such Aesop as well as his own imagination.

Florian was arrested and imprisoned during the French Revolution and managed to avoid the guillotine during Robespierre's Reign of Terror. However, he died a year later at 39 years of age from an illness while still in jail.

Florian's most famous line might well be:
"Rira bien qui rira le dernier" or "He who laughs last, laughs best!"

Monday, February 4, 2013

Atlas Blaeu-Van der Hem

This is one of the finest collections of 17th century cartographical prints and drawings in existence. Joan Blaeu's original 'Atlas Maior' (Great Atlas) from the 1660s was substantially expanded into something of a personal world geo-encyclopaedia in the following decade by the Amsterdam lawyer, Laurens van der Hem, while continuing a visual style established by Blaeu. The gargantuan ~50 volume series -- housed today in the Austrian National Library in Vienna -- includes more than 2400 maps, charts, sketches and birds-eye-views of towns, buildings and harbours, seascapes and landscapes, with the occasional portrait of significant historical figures.



naval battle off coast of Goa, India - hand-painted 17th cent. engraving
Goa {India}
The Dutch appeared in the Indian waters around Goa in the 17th century and their blockades of the Portuguese territory was responsible for Goa's decline into poverty. Although the colony was never conquered by the Dutch, it became the last remaining city under Portuguese control on the west coast of India. [W]



Unnamed fort town
Unnamed fort town
[UPDATE: this is almost certainly Colombo, Sri Lanka. Here's a very similar version from around the same time, by one of the Vingboons (cartographic) family members [search page] Thank Will C!
"The history of the Dutch East India Company [or VOC: ‘Verenigde {United} Oostindische Compagnie], founded in 1602 and declared bankrupt in 1799, spans almost the whole of the seventeenth and eighteenth centuries. For much of this time it was the world’s largest trading company, owning, at the height of its wealth and power, more than half the world’s sea-going shipping. [..] 
The VOC played not only a key role in the history of the Netherlands, but also in that of the other states in which it was involved, from England, France, Spain and Portugal in Europe, to any number of principalities, sultanates and empires along the coasts of Asia, going as far as Japan and China, and including most of the coasts of India, Ceylon, Malaya and what is now Indonesia, to say nothing of the odd port of call in Africa. The VOC’s operations were entirely maritime, at least in principle, and, until late in the eighteenth century, its ports of call were in no sense part of a Dutch colonial empire." [source]
"It was also arguably the first megacorporation, possessing quasi-governmental powers, including the ability to wage war, imprison and execute convicts, negotiate treaties, coin money, and establish colonies. Statistically, the VOC eclipsed all of its rivals in the Asia trade. Between 1602 and 1796 the VOC sent almost a million Europeans to work in the Asia trade on 4,785 ships, and netted for their efforts more than 2.5 million tons of Asian trade goods. By contrast, the rest of Europe combined sent only 882,412 people from 1500 to 1795, and the fleet of the English (later British) East India Company, the VOC’s nearest competitor, was a distant second to its total traffic with 2,690 ships and a mere one-fifth the tonnage of goods carried by the VOC. The VOC enjoyed huge profits from its spice monopoly through most of the 17th century." [source]



Pecheli sive Peking Imperii Sinarum
Pecheli sive Peking Imperii Sinarum Provincia Prima
Blaeu produced the first western atlas of China, relying on information and drawings contributed by an Italian Jesuit missionary. Inexplicably,  this map* identifies Peking ( the modern Beijing) as 'Xuntien' (perhaps after the earlier 17th c. Merian map, based on Marco Polo's 12th c. accounts).
"[Jesuit] Father Martino Martini traveled through the region between 1643 and 1650. This was a period of great internal unrest and his was a perilous journey. He was able to travel inland to the Great Wall and for the first time determined with any scientific accuracy the astronomical position of many cities and topographical features. After establishing a mission in Zhejiang province he returned to Rome via Amsterdam, where he met Joan Blaeu. Blaeu then prepared a group of eight maps covering China in great detail." [source]



Imperii Sinarum Nova Descriptio
Imperii Sinarum Nova Descriptio
"A important general map of China, Korea and Japan, published by Joan Blaeu in the Jesuit Martino Martini's 'Atlas Sinensis' , the first western atlas of China. The discoveries of Joao de Goma and de Vries were incorporated into this map. Korea is no longer depicted as an island. This is the first map to name and show Hokkaido (Ezo) as an island to the north of Honshu. China is mapped with considerable accuracy for the period: even the Great Wall is shown. Martini was the Jesuit Superior in Hangchow and he collated surveys of all the regions of China which he brought back to Europe in 1654 for printing and publication." [source]



Japan (Dejima Island)
Ee Stadt Nangasacky met het Eylandt Schissima, in Japon
(part of the inscription is missing)
The city of Nagasaki and Dejima Island in Japan
"Dejima [meaning Exit] was an artificial island [completed in 1636] built in the shape of a fan with an area of about 13,000 square meters. It was built south of the current [Nagasaki] city center during the Edo Period in order to accommodate Portuguese Christian missionaries and prevent the propagation of their religion. It also used to be the residential quarters of the Dutch, the only foreigners allowed to trade in Japan during the Sakoku (Isolation) Period, and a Dutch Trading House operated on the island. For 200 years, until Japan reopened the country in the 19th century, Dejima was its only window to the world." [source see also: one | two | three]



Malacia
Malacca 
(a city* [aka: Melaka] and state in (the modern) country of Malaysia)



Fokien
Fokien Imperii Sinarum Provincia Undecima
Another Martino-Blaeu collaborative map. Fokien (Fujian) province* in China is shown opposite the tip of the island of Taiwan (the location/orientation is somewhat incorrect). The mainland map stretches from Whenzhou in the north to Fuzhou in the south.



Eylant Formosa Generael
Eijlant Formosa Generael
The contours of Formosa [Taiwan] and the Piscadores islands (in the south) on this map are identical to those in the Vingboons Atlas [this].



Taioan
Taioan
Bird's eye view of Tayouan [Taiwan] and Fort Zeelandia*. The survey image 
includes a legend identifying government buildings, markets, neighbourhoods etc.



Unnamed island
Unnamed island
About the Atlas Blaeu-Van der Hem: -- "When the Latin edition of Joan Blaeu's 'Atlas Maior' was published in 1662, Laurens van der Hem (1621-1678) acquired a copy which he used as the base for an even more ambitious collection of maps, topographical drawings and prints.

Van der Hem arranged the sheets in the Atlas according to his own ideas, amplifying the volumes with more than 1800 maps, charts, townscapes, architectural prints, portraits, etc., many of them beautifully coloured by the well known specialist Dirck Jansz. Besides prints, the atlas also contains a wealth of drawings: maps, town and seascapes, renderings of foreign people etc. To enhance the harmony and unity of the whole, all the sheets were adapted to the size of the 'Atlas Maior'. If they were too wide, they were folded in; if they were too small, they were enlarged, and coloured in such a way that the transition from original print to enlargement became invisible; if the original sheets were too high, they were reduced in format, or cut into pieces, and separately pasted on blank leaves.

Among the most impressive of Van der Hem's additions to the 'Atlas Maior', is the set of four volumes of manuscript-maps and topographical drawings, which were originally made for the VOC (Dutch East India Company). These volumes are known as the *secret atlas of the VOC*. Van der Hem was one of the few private citizens to possess part of this confidential material. Other well known additions to the 'Atlas Maior' include the extensive series of topographical drawings, the majority of which was done by well known artists such as Willem Schellinks, Lambert Doomer, Jan Hackaert, and Reinier Nooms called Zeeman. Thus Van der Hem created an atlas which far extended the scope of Blaeu's original 'Atlas Maior'.

The 'Atlas Blaeu-Van der Hem' contains an inestimable treasure of information, not only in the fields of geography and topography, but also in those of archaeology, architecture, sculpture, ethnography, folklore, heraldry, navigation, fortification and warfare, portraits of famous figures, techniques, public works, and many other aspects of seventeenth-century history, culture, and customs. Moreover, all this information is conveniently arranged in a unified manner. As one scholar put it: "the Atlas is a mirror of the geographical and geopolitical knowledge, available in one of the major trading-nations of the world in those days" [source]



Adriatnsz de Ruyter
De Heere Michiel Adriatnsz De Ruyter Ridder Lt Admirael
Over De Provintie Van Hollandt En Westfrieslandt {b&w version}
Michiel Adriaenszoon de Ruyter is the most famous, and one of the most 
skilled, admirals in Dutch history, and is particularly renowned for 
his  role in the Anglo-Dutch Wars of the 17th century. [W]



Dutch outrigger a
Dutch outrigger



Puerto Rico
Puerto Rico



Novi Belgii - Virginia
Novi Belgii Novaeque Angliae Nec Non Partis Virginiae Tabula 
(by Nicolaes Visscher)
"The map [..] included present day New England as well as New Jersey, New York, and Maryland and combines both Dutch and Indian place names. Scattered throughout the map are depictions of native flora and fauna: herons, beavers, wild turkeys, deer, rabbits, bears, muskrats, foxes, and wolves. Stockaded settlements and dugout canoes represent the Indian presence. At the bottom of the map is a striking inset view of New Amsterdam showing period houses, ships in the harbor, a windmill, and even a gallows! To either side of the inset are two female Indian figures, allegorical representations of America. [..]

During the seventeenth century, the Dutch produced both accurate and decorative maps that exemplified the Golden Age of cartography as demonstrated by the Jansson : Visscher series of maps depicting New England. While Jan Jansson's 1651 map entitled "Novi Belgii" is considered to be the first in the series, inaccuracies in the map led Claes Visscher to publish an updated map of the same title around 1655." [source] {Seelarge zoom/jpeg version of this map at Harvard U}


17th cent. hand-coloured engraving of Mexico
Forma y Levantado de la Ciudad de México
(Plan and elevation of Mexico City [looking East})
This is an identical copy of the original 1628 watercolour drawing (see here) sketched by the Spanish-Mexican architect, Juan Gómez de Trasmonte. His picture was made as a survey to prepare for expected flooding and was never meant to be published. (Trasmonte designed Mexico City's cathedral)



Fort Kismis
Pascaart vande Parsiaense Kust
Map of the north coast of the Persian Gulf
Qeshm is an Iranian island situated in the Strait of Hormuz* 
and the island fort is painted here as an inset



17th c. hand-coloured map of Ethiopia and north east africa
Aethiopia Superior vel Interior vulgo Abissinorum 
sive Presbiteri Joannis Imperium
NE Africa by Joan Blaeu [see zoom version] after his father,
Willem Janszoon Blaeu (his sources are listed below)
"The map shows a major section of central and eastern Africa including Mozambique north to present day Sudan. The map contains numerous rivers, villages and settlements throughout, and is highly embellished with elephants, ostriches and other animals within the map, as well as the decorative cartouche. The two Ptolemaic lakes of Zaire and Zaflan are in the lower portion of the map. Lake Niger, and the supposed course of the Niger River, is shown flowing westward.

This map is based on Ortelius' map of Prester John of 1573. The myth of Prester John, the good Christian King of Africa waging his own crusade and defeating the enemies of Christianity, was based upon earlier legends of the Crusaders and is a fascinating piece of early mythological cartographic history." [source]



St Helena
View of the island of St. Helena* showing the Dutch fleet.



Bay of Tanger
Bay of Tanger
(Bay of Tangier*, Morocco)



Johannes Mauritius
Johannes Mauritius
I believe this to be John Maurice, Prince of Nassau-Siegen (d. 1679)
- appointed governor of the Dutch possessions 
in Brazil in 1636 by the Dutch West India Company

[The island nation of Mauritius (below), located in the Indian 
Ocean, was named after Maurice, Prince of Orange (d. 1625)]



Mauritius
Mauritius*

Note that the illustrated scene in the southern section of 
the island shows a man being crushed during a buffalo hunt




In 2011, the Dutch firm, Hes & De Graaf, completed publication of an 8-volume facsimile edition of the 'Atlas Blaeu-Van der Hem'. The exquisite series is accompanied by a final volume:
"[It] contains contributions by Roelof van Gelder on the Atlas of Laurens van de Hem and his library, a detailed description of the life and works of the collector and the making of his Atlas; Truusje Goedings on the coloration of the Atlas; Erlend de Groot on the art historical aspects of a series of drawings from the Atlas; Peter van der Krogt on the Atlas Maior by Blaeu, which served as the point of departure for the Atlas; Benjamin Schmidt on the printed maps from the Atlas, and Dick Gaasbeek on the making of the facsimile of the Atlas, including a detailed description of the photography, the printing and the binding. Together with an introduction by Günter Schilder, this book further contains a catalogue with the numbers and titles of, and brief information on all the maps and images present in the 8 volumes of the facsimile."