Thursday, March 31, 2011

Flagging Heraldry

Holy Roman Empire Coats of Arms



Holy Roman Empire Coats of Arms duo l



Holy Roman Empire Coats of Arms duo h



Holy Roman Empire Coats of Arms duo j



Holy Roman Empire Coats of Arms duo k



Holy Roman Empire Coats of Arms duo f



Holy Roman Empire Coats of Arms duo g



Holy Roman Empire Coats of Arms duo e



Holy Roman Empire Coats of Arms duo b



Holy Roman Empire Coats of Arms duo



Holy Roman Empire Coats of Arms duo a



Holy Roman Empire Coats of Arms duo d



Holy Roman Empire Coats of Arms duo i


Holy Roman Empire Coats of Arms duo c

It's not often - thankfully, for all our sakes - that I get to quote myself, but an uncoloured version of this work was referenced on BibliOdyssey previously, and the information is still relevant:

Wapen. Des Heyligen Römischen Reichs Teutscher Nation' or Koebel's Wappenbuch (Coat of Arms book) is interesting because the heraldic symbols are all featured on flags - although perhaps not so obviously with the two example images - held aloft by the mercenaries known as Landsknechts (seen recently). Published in 1545 by Jacob Koebel, this rare wappenbuch features around one hundred and fifty full page illustrations (by Jacob Kallenberg - monogramme: 'IK') of the puffy shirt-wearing, armour-clad flag bearers; and in passing, I noted a subsequent edition from the late 16th century selling for ~€4000. The complete book is available online at the Bavarian State Library. [via Archivalia]


The heraldic emblem flags seen above display distinguishing elements from the coats of arms of the nobility from the German peoples of the Holy Roman Empire. The flags represent Germanic princes and barons and knights and cities and earls and electors. The publication includes blazons: descriptions employing the grammar of heraldry that will have outlined the colours to be applied by the manuscript painter(s).

The Wikipedia article on vexillology tells us that flags and the study of flags was originally (and still is, in some senses) a "sub-discipline" of heraldry.

Monday, March 21, 2011

Album Pintoresco de la Republica Mexicana

Picturesque Album of the Mexican Republic


Vista de la bahia de Acapulco
Vista de la bahia de Acapulco
(View of Acapulco Bay)



Vista de aguas calientes
Vista de Aguas Calientes
(View of the city of Aquascalientes)



Paseo de Las Vigas Mexico
Paseo de Las Vigas Mexico
[um, this {T}?]



Vista del panorama de Mexico
Vista del panorama de Mexico
(Panoramic view of Mexico City - one of a number in the album)



cowboys and view of Guanajuato
Arrieros - Vista general de Guanajuato
Horsemen and general view of Guanajuato
(either the city itself or part of the eponymous state)


Battala del Sacramento
Battala del Sacramento
A scene from the Battle of the Sacramento (river) in the state
of Chihuahua from the American-Mexican war of 1847



Gente de tierra caliente vista general de Tampico
Gente de Tierra Caliente vista general de Tampico
(People from the general region of 'Tierra Caliente',
in front of a view of the city of Tampico, capital of Tamaulipas)



Interior de la Universidad de Mexico
Interior de la Universidad de Mexico
(Inside the University of Mexico)



Las tortilleras
Las tortilleras
(Tortilla makers)



Los rancheros. Vista general de Zacatecas
Los rancheros. Vista general de Zacatecas
(Ranchers or cattlemen, with view from the state of Zacatecas)



Vista del Panteon de Sa. Paola en Mejico
Vista del Panteon de Sa. Paola en Mejico
UPDATE: Will & Aurore have kindly written to say that the Panteon (pantheon) Santa Paola is located in Mexico City and the writing immediately below here - which I won't remove - is incorrect. See this page [T] at Mexicomaxico.


(Online references are somewhat ambiguous, but I've decided to believe [wrongly, as it turns out] until otherwise advised - that this view of the Panteon (Pantheon) of Santa Paola is located in the state of Guanajuato.

Excavation of the Santa Paola cemetery site began in 1865 and mummies were found that have been incorporated into something of a memento mori*- and/or dia de los muertos inspired tradition and tourist attraction : The Mummies of Guanajuato. Flickr set from January 2011: Panteón de Santa Paula en Guanajuato. I believe the ossuary* building is located in the cemetery grounds. {alternatively, but less likely, it *might* be this})




'Album Pintoresco de la Republica Mexicana' was published in about 1850 by Julio Michaud & Thomas. The author (and one of the illustrators) is recorded as Pierre Frédéric Lehnert. Other contributing artists include: F Bastin, Chénot, and Urbano Lopez. The album consists of 45 lithographs, some modelled after original war paintings by Carl Nebel and Pedro Gualdi.

A first edition of the album is apparently very rare, listed at €11,000 at one site. I say 'apparently' because the publishing history is complicated with various editions, and varying numbers of illustrations, issued in the early 1850s. Or so it seems.

'Album Pintoresco de la Republica Mexicana' is available from Southern Methodist University, Central University Libraries, DeGolyer Library
. Thanks CB.

Previously: Mexico.

title page from Mexican album of lithographs 1850

Sunday, March 13, 2011

Grotesque Mask Heads

organic abstract mask engraving



organic abstract mask illustration 1555 f




organic abstract mask engraving



mask drawing



bizarre mask picture



organic abstract mask engraving



organic abstract mask engraving



organic abstract mask engraving - masque grotesque



grotesken Maske 16th c



engraving zoological mask



abstract mask engraving


These most fabulous grotesque masks come from a suite of about twenty-two prints designed by Cornelis Floris, engraved by Frans Huys and published in Antwerp in 1555 by Hans Liefrinck.

The late Baroque / early Mannerist designs incorporate an abstracted zoological motif, in most cases relating to the ocean, within an auricular ornamental style.

Auricular describes the smooth, curved, rippling and pliable shapes that resemble a human ear. The prints here are very early examples of this type of ornament which was developed by goldsmiths attempting to demonstrate organic forms extruding from the surface. The style probably influenced the later Rococo and Art Nouveau movements. {see: 1, 2, 3}

The print collection is called 'Pourtraicture ingenieuse de plusieurs façon de Masques. Fort utile aulx painctres, orseures, Taillieurs de pierres, voirriers et Taillieurs d'images'. It's either old or mangled French, essentially meaning: 'Ingenious portrayal of several types of mask. Useful for painters, stoneworkers [and other trades]'.

Incomplete sets of the suite are available from Rijksmuseum and MAK Vienna (via the Ornamental Prints Online portal). Just look up one of the artist/printer names. {The images in this post are from Rijksmuseum}.

Although MrH's sadly missed Giornale Nuovo is now offline, illustrated copies of the posts can thankfully be accessed via the Internet Archive. Faces of the Grotesque is well worth seeing.

'Ornament and the Grotesque: Fantastical Decoration from Antiquity to Art Nouveau' by Alessandra Zamperini, 2008.


Previously related: Hairy Grotesques; The Architecture of Fantasy I, The Architecture of Fantasy II; The Architecture of Embellishment; Architectural Zoology; Blackwork prints; Grotesque Alphabet; Sword Hilt Designs; Ornamental Decoration in 17th Century France; The Genre of the Monstrous; Fantastic Headresses [& no doubt more]

Thanks very much Will C!

Friday, March 11, 2011

The Voyage of La Perouse

"He will direct the draughtsmen embarked on board the frigates to take views of all remarkable places and countries, portraits of the natives of different parts, their dresses, ceremonies, games, buildings, boats and vessels, and all the productions of the sea and land, in each of the three kingdoms of nature, if he shall think that drawings of them will render the descriptions more intelligible."
[Instructions given to Jean-François de Galaup, Comte de La Pérouse]
La Pérouse set sail from France in 1785 to continue the discoveries of Captain Cook, whom he greatly admired. He was shipwrecked in 1788 but his narrative, maps, and views survived and were later published. Ships were sent to Oceania in the early 1790s to look for La Pérouse and a further illustrated record followed. Example images from both works are seen below.



Calao de l'Ile de Waigiou
A hornbill from the island of Pulau Waigeo, just off the coast of the Indonesian province of West Papua [in western New Guinea (Irian Jaya)].

I think the species we see above is Blyth's (or Papuan) Hornbill [video]. More hornbill video (of varying species feeding) here.

Click through to a very large version -- this is a particularly good example in which to see the technical quality of the engraving.




NZ savage
New Zealand native
(drawn by Jean Piron and engraved by Jacques-Louis Copia)



Peche des sauvages du Cap de Diemen



Sauvages du Cap de Diemen preparant leur repas

These two illustrations show Tasmanian Aborigines collecting seafood and preparing a meal (noting that the women do most of the work) and the second image includes a peaceful encounter between local Aborigines and Europeans.

The sketches are by Jean Piron who accompanied a 1791 expedition under Bruni d'Entrecasteaux in the Recherche (and Esperance) looking for any trace of La Pérouse, who was last heard from in 1788 in Botany Bay.
"This extraordinary encounter of racial harmony was eternalised by Piron, whose realistic sketch of the occasion was possibly spoiled by the Paris engraver’s emphasis upon classical artistic forms, which exaggerated Piron’s classicism. Given the ethnographic accuracy in this image, the background hills and totally unrealistic vegetation must also be the imaginative work of the engraver."
"The special attraction was the preparation and eating of a meal. Food freshness was the keynote, because the women dived for crayfish, shellfish and edible seaweed, placed them on the coals and soon all were consumed. The women also maintained the fires. As the female divers stayed under the cool water for twice the time that the French thought possible, then had to prepare the meal, many attempts were made to influence the men to help, but to no avail. This visual and written account of the female role in food procurement was detailed, more so than most nineteenth-century observers, who stressed the male hunting role in mainland society. The women’s activities, in contrast with the men, who simply waited for the food to be caught and cooked, shocked the mores of French culture."

Tasmania (or Van Diemen's Land as it was then called) had been sighted by Europeans previously but the landing in 1793 of a party from the Recherche led to the first recorded encounter between indigenous Tasmanians and Europeans. A number of diarists among the crew gave fairly similar accounts of the initial meetings between the sailors and Aborigines.
"There was no need for arms and no fear of attack. Labillardière says that he approached the group of men, women and children holding out a biscuit (part of the meagre rations about which he grumbled) to an older man. He accepted it with a ‘very good grace’ and peaceful race relations were initiated.

This long desired meeting with Tasmanians had at last taken place but, unfortunately, less than a week before the frigates were to sail. The amount of what may be termed observant participation during those few days is remarkable and so, also, is the agreement in the different accounts provided by officers and scientists. Although some of it must have been communicated by Labillardière (d’Entrecasteaux, for example, only mingled with the people once), the independent version by d’Auribeau is testimony to their attempts at objectivity. Resulting from this first week’s encounter on the Tasmanian mainland between inhabitants and Europeans is a precious record of Aboriginal culture only 10 years before British settlement overwhelmed traditional ways.

There were 42 persons at this first encounter, seven men, eight women and their children, so at least half a band was present, possibly constituting seven families. They appeared fearless and eager to communicate. One piece of intelligence conveyed in mime eased the visitors’ concerns and demonstrated the peaceful nature of these presumed savages. During the night, while the French slumbered nearby, the Tasmanians visited, leaving them to sleep soundly. Neither then nor upon any other occasion were objects stolen, a virtue stressed by the French.

Simple gifts were exchanged — a neckcloth and a handkerchief added to the biscuit, while a shell necklace was offered in return. Clothing then followed, presumably a form of charity, because the French could not understand survival in that climate without clothes and they wore plenty because of the chill nights, but were burdened with them during the warm days. Although some people, including women, wore a wallaby or kangaroo skin on their shoulders, their lower body was naked.

Nakedness was a feature emphasised by all diarists. Labillardière was amused to see seven girls watching events safely perched high above him on a branch; Delahaye was interested to note that they rejected offers of food and, not surprisingly, ‘were surprised to see hot water’. Labillardière made several careful ethnographic observations concerning their beards and ‘woolly’ hair; skin colour made darker with charcoal powder; and impressive cicatrices, incised, he later learned, with the edge of a mussel shell. He also used his knowledge of exploration journals to remark that unlike those New Hollanders reported to knock out their upper front teeth, they did not follow that custom."

Source: 'The Axe Had Never Sounded: Place, People and Heritage in Recherche Bay, Tasmania (Aboriginal History Monologue 14)' {Chapter 7}, 2007 by John Mulvaney. The whole book is available online via the Australian National University
Such cordial relations between Tasmanian locals and European interlopers didn't last, regrettably. The population of Tasmanian Aborigines was decimated in the 1800s as a consequence of introduced diseases and conflict.

A fairly recent 7-part documentary called First Australians [SBS] is available outside Oz - so my spies tell me - for viewing online. I cannot recommend it highly enough. It covers the history of the Aboriginal peoples - from all over Australia and not just Tasmania - from 1788 onwards and "explores what unfolds when the oldest living culture in the world is overrun by the world's greatest empire".

The dvd is not compatible with US dvd players, but there is a 'First Australians' book edited by the Director/Writer/Producer of the series, Rachel Perkins [released about three months ago].



Femme d'Amboine a
A young female native from the island of Ambon in the Banda Sea, Indonesia



Bateau Japonais 1
Japanese boat drawn by Lieutenant Blondela and engraved by Le Pagelet



Niksani, Aoucantour et Erougantoi - habitans de la Baie de Langle + Orotchis - Habitans de la Baie de Castries
Inhabitants from Langle Bay on the Russian island of Sakhalin** (called Tchoka by La Pérouse [map]), North of Japan, and one of the original settlement areas of the Ainu people.

Inhabitants from the Bay of Castries on the west coast of Russia (near Sakhalin island I suspect) in the loosely defined former geographic area of Tartary.

**[An earthquake with magnitude 8.9 struck just off the NE coast of Japan about 7 hours ago and a recent news report says that 11,000 residents on Sakhalin island were being evacuated as a precaution due to tsunami activity]



Costumes des Habitans de la Baie de Castries
Customary dress of the Inhabitants of Bay of Castries



Plan de la Baie de Ternai
Plan of Baie de Ternai, situated on the east coast of Russia (Primorsky Krai*) in the former Tartary region. "La Perouse's sailors were impressed with good fishing in the area." A settlement named Terney [Терне́й] was founded here in 1908.



Vouacece, Habitant de Fidgi
Fijian chief named Vouacécé




Double Pirogue des Iles des Amis
Double-decker canoe (pirogue) in the Friendly Isles (Tonga)



Costumes des Habitans de Manille
Dress of the Inhabitants of Manilla [nb. Filipino Costumes]




New Caledonia
The New Caledonian savage hurling a spear is the most ferocious portrayal of an indigenous subject in the book about the search for La Pérouse.

Commentary around suggests that there was a definite contrast in the way, for instance, natives from Tonga and New Caledonia were depicted. The French sailors found Tongans to be deceptively pleasant or non-confrontational while they hid their true intentions to rob the visitors. Kanaks (natives from New Caledonia) were said to be much more hostile from the start and the fellow in the above illustration may well have struck such an aggressive pose to ensure his tribe was regarded with fear by white people.

There appears to have been a common evolution of attitude towards the Kanaks and Tongans shared by Cook, La Pérouse, d'Entrecasteaux and also the 19th century explorer, Dumont d'Urville. What began as optimistic curiosity to engage with the indigenous Melanesians and Polynesians on a friendly and mutually beneficial basis, dissolved into despair in the face of cumulative native intransigence, unpredictability, seemingly unprovoked violence or cannibalism. {Which is to say, presumably, that natives performing on cue for ethnographic study by discerning scientific minds of the Enlightenment are flattered and tolerated only until such time as they tire of behaving like circus monkeys for condescending uninvited guests.}

[paraphrased - however inaccurately - from : 'Oceanic Encounters: Exchange, Desire, Violence' 2009 Edited by Margaret Jolly; also available in full from ANU] See also: 'In Oceania: Visions, Artifacts, Histories' 2009 by N Thomas.



Details Geometrique des Monumens de l'Ile de Paque
Measurement details of Easter Island monuments
"La Pérouse directed [his] crew to measure the statues on the island, and described one as 14 feet 6 inches high. He concluded that they were made of a light-weight volcanic stone called lapillo, and he agreed with Cook’s suggestion that the monuments could have been raised by the ancient inhabitants using levers." [source]




Costume des Habitans du Port des Francais, sur la Cote du Nord-Ouest de l'Amerique
Customary dress of the native Tlingit peoples from what La Pérouse called Port des Francais, otherwise known as Lituya Bay [GBNP] in SE Alaska [map].

Adjacent glaciers feed into the bay and periodic ice calving* can be significant events with potentially disastrous consequences for anything in the vicinity or in the path of resultant huge waves. So it was in 1786 that two explorer boats from the La Pérouse voyage ships headed into the bay to take depth soundings and were swamped by tidal waves from a calved iceberg. Twenty one sailors lost their lives.

Lituya Bay was the scene in 1958 of the tallest wave ever recorded (again, due to ice calving) and you can read more about this and the La Pérouse calamities at La Perouse at Port des Francais (Lituya Bay) on @qmackie's excellent Northwest Coast Archaeology blog.



Dracophyllum verticillatum
Dracophyllum verticillatum
A grass-tree native to New Caledonia



Antholoma montana (Redoute)
Antholoma montana
Another New Caledonian native, this angiosperm species is from the Tiliaceae family

Of particular note here is that the drawing was by the great Pierre-Joseph Redouté, who sketched a number of plants for the La Pérouse books.



Eucalyptus globulus
Eucalyptus globulus

The Tasmanian Blue Gum is, I just found out, the floral emblem of some little southern island state or other.


[click through to larger versions; images with black borders were spliced together
from screencaps; most images have been background cleaned of age-related stains]




The naval career of Jean-François de Galoup, Comte de La Pérouse (1741-1788?) began when he was a teenager. He rose through the ranks over the next couple of decades after service along the eastern seaboard of Canada in frequent skirmishes with the British and a long expeditionary voyage in the Indian Ocean.

La Pérouse was given his first command by 1780 and was promoted to Commodore the following year after defeating a British frigate in the West Indies. Further successful naval battles followed and La Pérouse gained a reputation for kindness towards the prisoners he captured and he was well liked by his crews.

In 1785 Louis XVI appointed La Pérouse to lead an expedition to the Pacific to complete Cook's unfinished work. His ships were the Astrolabe and the Boussole, both 500 tons. They were store-ships, reclassified as frigates for the occasion and his 114-person crew included ten scientists from different disciplines.
"[La Pérouse] left Brest on 1 August 1785 making for Brazil. Doubling Cape Horn he refitted in Chile, then sailed to the Sandwich Islands and thence to Alaska, where he turned south exploring and surveying the coast as far as California.

After a short refit at Monterey, he sailed across the Pacific, discovered uncharted islands, and visited Macao and Manila. After six weeks reprovisioning and refreshing he left on 10 April 1787 to survey the coasts and territories north of Korea, which had been described and commented on by Christian missionaries.

He sailed up the Gulf of Tartary, naming several points on both its shores and learned that Sakhalin was an island. In September he put in to Kamchatka to replenish his supplies. From there he dispatched an officer, Lesseps, overland to Paris with accounts of his discoveries, while he turned south making for New Holland. In December, at Tutuila, Samoa, which Bougainville had called the Navigator Islands when he explored them in 1768, natives suddenly attacked a party from L'Astrolabe seeking water and killed de Langle and eleven others.

La Pérouse left without taking reprisals and sailed through the Pacific Islands to Norfolk Island and to Botany Bay. He was sighted off the coast there on 24 January 1788 but bad weather prevented his entering the bay for two days. By then Governor Arthur Phillip had sailed to Port Jackson, but John Hunter had remained with the Sirius and the transports, and assisted La Pérouse to anchor. He established a camp on the northern shore [map], now called after him, and maintained good relations with the English during his six-week stay.

He sailed on 10 March and was not heard of again. His disappearance led the French government in 1791 to equip another expedition under Bruny d'Entrecasteaux to look for him, but the search was fruitless." [source]



Voyage map of La Pérouse 1785-1788



Voyage map of d'Entrecasteaux 1791-1794