Saturday, May 19, 2012

The Sun-Birds

"I believe that my first attraction towards the family of Sun-birds took place in Nubia, where I fell in with Hedydipna metallica, the first truly tropical form of bird that I had ever procured. 
The sense of pleasure with which I preserved my first specimens of this beautiful little species on the banks of the Nile above the First cataract, and the engaging habits of the species, impressed me so much, that on subsequent visits to the African continent I paid especial attention to the Sun-birds in each country I visited." [link]
[from the Introduction to 'A Monograph of the Nectariniidae' by Captain GE Shelley]

lithograph of yellow birds



red-breasted golden bird duo - 19th century litho



sketch in colour: trio of grey-throated sun-birds



19th c lithographic sketch of 2 birds in a tree branch



birds drawing


[W]: "The sunbirds and spiderhunters are a family, Nectariniidae, of very small passerine birds. There are 132 species in 15 genera.

The family is distributed throughout Africa, the Indian Subcontinent, Southeast Asia and just reaches northern Australia. Most sunbirds feed largely on nectar, but also take insects and spiders, especially when feeding young. Flower tubes that bar access to nectar because of their shape, are simply punctured at the base near the nectaries. Fruit is also part of the diet of some species. Their flight is fast and direct on their short wings.

The sunbirds have counterparts in two very distantly related groups: the hummingbirds of the Americas and the honeyeaters of Australia. The resemblances are due to convergent evolution brought about by a similar nectar-feeding lifestyle. Some sunbird species can take nectar by hovering like a hummingbird, but usually perch to feed."

Sun-birds (Nectariniidae) information, photos and videos at the Internet Bird Collection - "a non-profit endeavour with the ultimate goal of disseminating knowledge about the world's avifauna."



2 illustrations of sun-birds



ornithological lithograph from 1870s book



book illustration



sun-birds book illustration lithograph



Common Sunbird-asity book lithograph by Shelley + Keulemans 1870s



coloured litho of Tacazze Sunbird



bird illustration



sketch of birds in antique ornithology book



George Ernest Shelley (1840-1910) was a geologist, ornithologist, nephew of the renowned poet, Percy Bysshe Shelley^ and author of a number of books on African birds.

Of particular note was an unfinished 5-volume series covering all the birds of Africa^ which was cut short when the author suffered a stroke towards the end of his life. Regrettably, a stand-in author, tasked by Shelley's wife to supply at least another three volumes to complete the series, for whatever reason only managed to polish up Shelley's final book and he went no further with the project.

It was Shelley's (and our) good fortune that he was able to collaborate on the Sun-birds book with the excellent Dutch artist and naturalist, John Gerrard Keulemans (1842-1912). Keulemans had begun his career as a taxidermist for the Leiden Museum of Natural History and its director encouraged him to accompany a 2-year expedition to Africa in the mid-1860s as a kind of artist-scientist.

Our author, GE Shelley, obviously had sufficient regard for his illustrator's journal notes from the African trip, as he relied upon them as a source when writing the Sun-birds book. (in fact, Shelley acknowledged Keulemans' artistic and scientific reporting qualities in a glowing reference to the illustrator in the book's introduction)

More than 120 lithographs were prepared by Keulemans for the collaborative project on Sun-birds which consisted of twelve instalments being issued over a four year period to a mere 250 subscribers. No wonder a first edition copy of the bound book was sold in recent times for around $11,000.

The lithographic illustrations - printed by M&N Hanart - were hand-coloured and finished with gum arabic highlighting to particular small sections among the feather arrangements.
"Keulemans paid particular attention to colour and structure of feathering and his ability to transmit clear, accurate impressions of various plumages was held in much esteem. Overall, his skills for accurate representations are attributable to his detailed study of birds." [source]
The quality of the plates from 'The Monograph of the Nectariniidae..' (also known by its original working title of 'Monograph of the Cinnyridae..') brought Keulemans instant acclaim, early in a very notable book illustration career. He moved to England and became the leading ornithological artist of the late-Victorian era, contributing illustrations to a number of significant book and journal publications on birds.


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