Monday, June 27, 2011

The Book of Knighthood

Miniatures cropped from the ~1460 manuscript containing Christine Pizan's 'Épître d'Othéa' (Epistle to Hector; sometimes known as the Book of Knighthood) - Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, courtesy of the Virtual Manuscript Library of Switzerland [link].







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 7r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 17r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 20v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 27v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 36r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 46r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 51r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 82v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 84r





Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 91r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 113r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 119v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 137v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 139r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 143r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 146r





Christine de Pizan (Pisan) (c.1363-1430) was raised among the nobility of Paris and pursued intensive studies in literature, history, languages and the sciences.



Towards the end of the 14th century, Pizan took up writing to support her three children, following the death of her husband. She is widely credited with being both the first professional female writer, and first feminist to advocate for her sex, in all of Europe.



Her writing career might be considered to have had two phases: poetry, then prose; and she achieved great renown during her lifetime. Between 1393 and 1412, Pizan composed more than three hundred ballads, and even more shorter poems. She was similarly prolific in longer form, having written some fifteen books and numerous essays by 1403.

"Her poetic work is notable both for its technical mastery of the accepted forms of her time, and for its innovativeness. Christine excelled in the complex metrical forms of courtly poetry: ballads, lays, and rondeaux. She also went well beyond the conventions of her time by integrating personal, political, moral, religious, and feminist themes within those structures. [..]



[Pizan] combined extensive historical knowledge with a deep concern for the political and social issues of her day [and she] expanded and developed many of the themes first introduced in her poetry. The importance of responsible government and political ethics; women's rights and accomplishments; and religious devotion, appear consistently as themes throughout Christine de Pizan's writing."
Othea's Epistle to Hector (the Book of Knighthood) is a work of moral instruction in both verse and prose. It describes the spiritual and moral education of a young knight, Hector, in the form of an allegorical story.

"'Épître d'Othéa' takes the form of a letter written by Othea (a goddess who symbolizes wisdom and prudence) to the Trojan hero Hector. The letter is divided up into 100 chapters, each consisting of a miniature illustration and a verse text recounting a story from classical mythology, a prose explanation designed to expound the moral significance of the story, and finally a prose allegory expounding its underlying spiritual/Christian interpretation." [source]
The present parchment manuscript of 'Épître d'Othéa' was commissioned by the bibliophile Antoine de Bourgogne in 1460 and was written in Middle French, with the full complement of exquisite miniatures. Gold highlights can be seen in (at least) the opening full page decorations: the first image up above.



Incidentally, Pizan retired to a convent for the last twelve or so years of her life emerging only once - in the writing sense - when she circulated a poem in 1429 in support of Joan of Arc (d. 1431).



Saturday, June 25, 2011

General Herpetology

Illustrations from 'Erpétologie Générale, ou,
Histoire Naturelle Complète des Reptiles'
by AMC Duméril & G Bibron, 1854.



Cameleon veuqueux



Cameleon ordinaire



Gymnopode spinifere



Chelonee caouane



Cistude commune



Rhacophore de Reinwardt



Grenouille commune



Rhinoplus des Philippines



Tetes de Crotales



RAchiodon d'Abyssinie



Chlamydosaure de King



Phrynocephale a oreilles



Ptyodactyle raye

The multi-volume series, 'Erpétologie Générale, ou, Histoire Naturelle Complète des Reptiles', was released over a twenty year period beginning in 1834. The final volume is an atlas with more than one hundred steel engravings that were (I presume) hand-coloured.

'Erpétologie Générale' is owned by the Smithsonian Institution and is made available online through the Biodiversity Heritage Library and the Internet Archive (the plates featured above were downloaded from the latter source).

[via the Biodiversity Heritage Library blog Book of the Week from earlier this year]

Wednesday, June 22, 2011

Header Vignettes

Woodcut illustrations by GW Dijsselhof
from
'Kunst en Samenleving', 1894



woodcut vignette of spider and web




woodcut art nouveau peacocks





woodcut of 2 horn-blowing men on horses



illustration of frogs in pattern



woodcut of men carrying plants by Gerrit Willem Dijsselhof 1894




woodcut vignette design of seahorses




stylised pattern of beetles




woodcut silhouette insect pattern




stylised design made from fish




woodblock illustration of symmetrical pattern of roosters




colour woodblock illustration of stylised rooster and tree



Gerrit Willem Dijsselhof (1866–1924) was one of the earliest protagonists of the Art Nouveau movement (Nieuwe Kunst) in Holland, having studied fine arts at academies in The Hague and Amsterdam.

He came to prominence with a series of sketches of fish and underwater scenes inspired by visits to the Amsterdam zoo aquarium. Preserving these scenes in misty, dreamscape oil paintings was one of his life-long artistic projects. Dijsselhof was also a versatile artist who worked in glass, textiles and furniture design at various stages in his professional career.

The charming and imaginative book illustrations seen above were prepared for a translation of Walter Crane's 1892 art textbook, 'The Claims of Decorative Art' [published as: 'Kunst en Samenleving', 1894]. The motifs were inspired by the fauna from the Dutch countryside and these vignette subjects - peacocks, frogs &c - also corresponded with themes running through the text of Crane's chapters.

The woodcut headings (see below for how they appear on the full page) were printed in black ink and Dijsselhof later painted (at least?) one complete set with tastefully restrained watercolours for a specific buyer from the first print-run of 500 copies. There were a couple of editions (the web translation of the background is confusing) issued during a 10-year period, with the illustrations later rendered onto metal plates for cheaper/easier printing. The printer would ultimately use the illustrations again and again in children's books and magazines.




double book page with header motif

Sunday, June 19, 2011

The Mysteryes of Nature and Art

The Mysteryes of Nature and Art : Conteined in foure severall Tretises, the first of Water Workes, the Second of Fyer Workes, the third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly collected, and partly of the Authors Peculiar Practice, and Invention.


titlepage of Mysteryes of Nature by John Bate 1634



early modern english text



schematic of a Renaissance water pump
Another manner of forcing the water, whereby the water of any ſpring may be forced unto the top of a hill

Let there be two hollow poſts, with a ſuccur at the bottom of each, alſo a ſuccur nigh the top of each; let there be faſtened unto both theſe poſts a ſtrong peece of timber, having, as it were, a beame or ſcale pinned in it, and having tow handles, at each end one...




early modern water fountain - line drawing
...whereat the water may be mounted into divers ceſterns, out of ſome wherof there may be made convayances in their bottoms, by ſmall pipes running down into the river or moat again, and there breaking out in the faſhions and formes of Dragons, Swans, Whales, Flowers, and ſuch like pretty conceits : out of others the water may fall upon wheeles, out of whoſe ſpindles, the water turning round, may bee made to run...



titlepage from John Bate: The Second Booke
"The beginning of the section on fireworks boasts its own title-page. This is illustrated with a woodcut depicting a 'green man' wielding a fire club. With obscure and mythical origins, 'green men' dressed in foliage and garlands traditionally led processions of fireworkers from medieval times.

Their role was in part to maintain order; according to one scholar, 'strewing fire from large clubs, they cleared the way for certain festive processions. The "wild men", "very ugly to behold" are described as having black beards and black hair, with garlands on their heads, and wearing costumes of green ivy.' The customary greeting amongst the firework fraternity is still 'stay green'." [source | Also see this]




17th century book illustration of fireworks



early modern fireworks line drawing



drawing of kite with fireworks tail



chapter 3 titlepage John Bate 1634 book



recipe for ink making


text describing sketching method device for rendering perspective in drawing



chapter titlepage: Extravagants, John Bate 'Mysteryes of Nature and Art'



text of folk recipe to avoid or treat kidney stones



Renaissance bong instructions in text



text describing measure to stop blood flow



Renaissance folk remedy in text for curing deafness



It's really not too difficult to report on John Bate, the author of this most intriguing 1634 book, 'The Mysteryes of Nature and Art', as next to nothing is known about him. At least he admits in the title and preface of his influential tome that he collected experiments and recipes from a variety of sources, so we might judge well of his character for being so truthful in an age when intellectual property theft was rampant in publishing.

His technology-come-artisan-come-folk alchemy manual combined perceptive observations with fanciful whimsy in just the right balance. The promise of practical hydraulics and the secret ingredients of fireworks and medical remedies - copiously illustrated with amazing woodcuts - struck a chord with the book-buying public. Within a few years an expanded 2nd edition - that included a portrait of the author - was released and met with similar success.

Isaac Newton was given a copy of 'The Mysteryes' as a teenager by the headmaster at his school. He is known to have copied out sections of the book assiduously and he built working models of a water clock and water wheels that Bate had described.

But it wasn't just an exciting book for nerds and aspiring pyromaniacs. The book contained one of the first mentions in Europe of a kite and was one of the first English books with a section devoted to building and arming fireworks.
"While some of the knowledge imparted in Bate's Mysteries may seem to us crude, if not downright eccentric, it is important to remember that manuals such as these did play an important role in the dissemination of scientific and technical information throughout the Renaissance."
And, if it needs to be said, reading the language of the period is just wonderful: it's old enough to be entertainingly weird, but young enough that it's all fairly straight forward on the comprehension front.